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Matsuri Mechanics

Matsuri Mechanics

It is time to start getting specific about the mechanics for matsuri. In the real world, most matsuri at jinja follow a fixed pattern. The participants are purified, standard miki and mikë are offered, and the shinshoku reads a standard norito, copied out of a book of norito. Such a matsuri will be the baseline, because any shinshoku could do this, with no chance of failure. I could do this with no chance of failure. So, this sort of matsuri…

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Tamao

Tamao

Tamao is the main kami in, er, Tamao. The title of the novel is a bit of a giveaway there. I wrote the novel four years ago, so I didn’t design him in terms of these rules, but I should be able to do it retrospectively. In addition, this example should make sense even to people who haven’t read the novel (although it is still free to read, so if you have time, you can — and if you do…

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Powers of the Nigimitama

Powers of the Nigimitama

When we come to define the game-mechanical powers that fall under each of the mitama, we are moving firmly beyond anything established in Shinto theology or legend, and into the purview of game design. The powers here are designed to allow kami in the game to do the things that kami do in legend, but they have no specific basis in those legends. I am making stuff up. As discussed in the previous post, the nigimitama favours the status quo,…

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Aramitama and Nigimitama

Aramitama and Nigimitama

Kami traditionally have two aspects, called the aramitama and the nigimitama. “Mitama” means spirit or soul, while “ara” means wild and violent, and “nigi” means calm and peaceful. “Aramitama” could be translated as “wild spirit”, and “nigimitama” as “calm spirit”. As kami are often thought of as spirits, it might look as though the aramitama and nigimitama are almost separate kami. Indeed, they are sometimes treated that way. At the Naiku of Jingu in Ise, for example, there are separate…

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