The Dance Goes On
In 1950, Jinja Honchō (which was very new at that point) commissioned the creation of two sacred dances: Asahi-no-mai (Dance of the Rising Sun), for chief priests, and Toyosaka-no-mai (Dance of, er, the Rising Sun), for “young women”. The idea seems to have been to create dances that could be taught to all priests, miko, and local young women, so that sacred dance could be offered as a standard part of matsuri. Toyosaka-no-mai is widely offered, and is one of the two standard pieces of miko kagura — the other… Read More »The Dance Goes On